Oglądasz odpowiedzi znalezione dla słów: Filles De Kilimanjaro
Temat: Miles Davis - Filles De Kilimanjaro (1968)
Year: 1968
Genre: Jazz
Country: USA
Quality: MP3 (192 kbps)
Size: 78 Mb
Tracklist:
1. Frelon Brun (Brown Hornet) [5:40]
2. Tout De Suite [14:07]
3. Petits Machins (Little Stuff) [8:07]
4. Filles De Kilimanjaro (Girls of Kilimanjaro) [12:03]
5. Mademoiselle Mabry (Miss Mabry) [16:33]
KUNIEC
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Temat: A gdzie "Czego słuchaliście w marcu?"
Czesław Niemen "Niemen Enigmatic" 10/10
Miles Davis - "Sketches of Spain" 10/10, "On The Corner" 10/10, "In A Silent
Way" 10/10, "Filles De Kilimanjaro" 8/10, "Bitches Brew" 7/10
John Coltrane - "My Favorite Things" 10/10, "Blue Train" 9/10
Thelonious Monk - "Brilliant Corners" 9/10
Ornette Coleman - "A Shape Of Jazz To Come" 10/10
Ray Charles - "Ultimate Hits Collection" 10/10
Mansun - "Six" 9/10 "Attack Of The Grey Lantern" 10/10
M83 - "Dead Cities, Red Seas & Lost Ghosts" 9/10
Faust - "Faust IV" 9/10
John Cage - "Sonatas and Interludes for Prepared Piano" ?/10
Marvin Gaye - "What's Going On" 10/10 Przeczytaj resztę wiadomości
Temat: 1969
No toś przywalił z grubej rury. Wybrałeś rocznik, w którym moim zdaniem działo
się więcej niż w całych latach 80-tych (niczego nie ujmując 80-tym). Braki moim
zdaniem są następujące, choć skupiałem się nie tylko na rocku:
- koncertowy Johnny Cash "At San Quentin" (iha!)
- Pharoah Sanders "Karma" (echa Coltrane'a w jazzowym mistrzostwie świata)
- Bob Dylan "Nashville Skyline" (niesłusznie niedoceniana płyta)
- Neil Young "Everybody Knows This Is Nowhere" (najlepsza płyta Younga)
- Blind Faith S/T (tacy kolesie nie mogli nagrać złej płyty)
- Jack Bruce "Songs For A Tailor" (Clapton swoje, to Bruce swoje)
- The Who "Tommy" (no comments)
- David Bowie S/T - potem przemianowana na "Space Oddity" (druga płyta Bowiego)
- Dusty Springfield "Dusty In Memphis" (kopalnia hitów z "Son Of A Preacher Man"
i "Breakfast In Bed" na czele)
- Buffy Sainte-Marie "Illuminations" (to dopiero była awangarda)
- Pugh Rogefeldt " Ja, dä ä dä" (psychodelia po szwedzku)
Do tego jeszcze 2 płyty Fairport Convention, "Filles de Kilimanjaro" Milesa
Davisa, Leonard Cohen, Joe Cocker, Joni Mitchell... i Jackson 5 :)
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Temat: " They say I am different" cover Brodki!
bo zle sie wkleil
biografia Betty (baaaaardzo fajna)
A wildly flamboyant funk diva with few equals even three decades after her
debut, Betty Davis combined the gritty emotional realism of Tina Turner, the
futurist fashion sense of David Bowie, and the trend-setter flair of Miles
Davis, her husband for a year. It's easy to imagine the snickers when a 23-year-
old model married a famous musician twice her age, but Davis was no gold-
digger; she turned Miles on to Jimi Hendrix and Sly Stone (providing the spark
that led to his musical re-invention on In a Silent Way and Bitches Brew), then
proved her own talents with a trio of sizzling mid-'70s solo LPs.
Born Betty Mabry in Pittsburgh, Davis began working as a model during the mid-
'60s. She gained entrance into hipster musical circles very early on — her
first writing credit, "Uptown" by the Chambers Brothers, came in 1967, before
she'd turned 20. One year later, she met Miles Davis in New York, and they were
married by the end of summer 1968. Though their marriage didn't survive the end
of the decade, Betty Davis was tremendously influential on Miles, introducing
him to psychedelic rock and even influencing his wardrobe. Miles' 1968 LP
Filles de Kilimanjaro featured her on the cover, and he wrote the final track
("Mademoiselle Mabry") for her.
Miles divorced her in 1969, explaining later in his autobiography that she
was "too young and wild" for him. (He also suspected her of an affair with Jimi
Hendrix, an allegation she denies.) By the beginning of the '70s, Betty Davis
began work on a set of songs, and tapped a host of great musicians to bring
them to fruition: Gregg Errico and Larry Graham from Sly Stone's band, Michael
Carabello from Santana, the Pointer Sisters, and members of the Tower of Power
horn section. Her self-titled debut album finally appeared in 1973, and though
it made no commercial impact at all, it was an innovative collection with
plenty of blistering songs. Even more so than a soul shouter like Tina Turner,
Davis was a singer for the feminist era, a take-no-prisoners sexual predator
who screamed, yelled, grunted, purred, and cooed her way through extroverted
material like "Anti Love Song," "Shoo-B-Doop and Cop Him," and "He Was a Big
Freak." Religious groups protested many of her concert appearances (several
were canceled), and radio outlets understandably refused to play her extreme
work.
Davis hardly let up with her second and third albums, 1974's They Say I'm
Different and 1975's Nasty Gal, but they too made little impact. Though she
would've made an excellent disco diva, Betty Davis largely disappeared from the
music scene afterward. An aborted 1979 session has been released on multiple
occasions, once as Crashin' From Passion and also as Hangin' out in Hollywood.
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